The Crossing
The film begins with a brief flash of molten-red grain followed by a long scene of darkest night-blue sea ripples. Hexagonal refractions and spectral rays puncture alluded-to landscapes – rivers, skies, prairies, trees, mountains. Graphic (yet spatially free-floating) imagery slices intently wrought rhythms of light and dark color fields, producing afterimages. The film concludes with bright, almost-discernible window shapes, hinting at an opening to a different realm.
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